Raunchy Death Ray Twang

 

Inca Babies - Grunt Cadillac Hotel [INC. 002 UK 1984 24-Bit FLAC]

Just in case you feel damaged by my last post, here's some gasssss guzzzzling Inca Babies for your entertainment. They came from Manchester, there was nobody else like them .....err maybe with one exception, but they were not from Manchester.

Sometime in 1982 or 1983 in Manchester’s Hulme district the Inca Babies were formed. Hulme, those curved concrete monoliths across streets in the sky project, was at that time a demi-bohemia over run with artists, musicians, students, addicts and ne’er do wells. Previous tenants, mainly families, put there to benefit from this magical new living space, realising a slum was a slum regardless of how high off the ground you put it, had long gone.

At the time Manchester music was gripped by a schizophrenic Jazz funk scene which was emulated by the indie scene’s own approximation with its jangly, dancy pop. In this climate the Inca Babies had no choice but to come up with their own sound. What resulted was a Raunchy Death Ray twang from a punk-trash, Americana perspective. Link Wray, The Cramps, The Gun Club and The Birthday Party were the spiritual guidance, and a big influence. But, because the Incas were an obscenely English band impertinently playing out of their continent, people didn’t get it at first. However musicologist C.P Lee in his book on the Manchester music scene must have spotted something when he called them the Hulme Cramps. So indeed, must Radio 1 DJ John Peel and his producer John Walters. They took one listen to the first single The Interior and offered them a session on the spot. It was to be the first of four they did for Radio 1 between 1984-87.After this there was a frenzy of bookings for their rowdy live shows. No Cub Scout hut was too small or warehouse too large. Within a year they had been to every borough and city in the land, usually at the stick carpet end of town, and a fan base had gathered across the UK. With 2 number one slots in the Indie single chart and a top 5 album, Rumble, the Incas soon began to find an audience abroad. Tours of mainland Europe included Germany, Holland, Belgium, France, Yugoslavia, Hungary, Austria and all of Scandinavia.

Grunt Cadillac Hotel was their second self-released single. It's a dark and dirty stomp into Birthday Party territory which your blogger fondly remembers being played a few times in the Hacienda to a mostly disapproving audience.

Three further Albums (This Train, Opium Den and Evil Hour) were released including six more singles all experiencing good sales and indie chart placings. During this time while popularity was not a problem but keeping personnel was, and while singers and drummers came and went the backbone of the band who played every gig and appeared on every record, Bill Marten (bass) and Harry Stafford (guitar, later vocals) struggled to keep the integrity of the band alive.

The end came when there were no more singers and no more drummers. By the late 80s acid clubbers raved through the night and Manchester was no place for the Incas. 

A1 Grunt Cadillac Hotel

B1 No Sacred Sound